Featuring guest blogger Chris Ryall
Over on melodeon.net, Euro-oriented melodeonista Chris Ryall has been posting reports of his own experience at Chateau d’Ars. He has graciously allowed me to post them here.
Saturday woke up to intermittent heavy rain and when that cleared there was a massive column of cloud (looked about 2 miles up) moving rapidly NE to the south of the chateau. Seemed the jet stream was still up there
Basically it was like that all day, so I considered and rejected going back up to Brittany, and set about the salon d’instruments. The first surprise was that stall #1 “Castagnari” had no members of the family at all*! Tried their stuff and (as last year) really liked the 2 voice 3 row 18 bass Matris and Mas. These are very close to being copies of Guillard’s saphir and are nearly as expensive! Bertrand was around the corner, ably assisted by daughter Clara. Picking up his melodeons well it felt like the song’s old “49er” .. kissing the little sister .. quite forgetting his
Castagnari It was palpably better, for only a bit more (+ the 3 year wait). They are quite “without fault” (as one might expect from a self-confessed perfectionist solo maker)?
|Casta have made an innovation! The Matris had an extra (fenestrated) “box” in front of the usual grill at right end. You then get a “plane” of thin wood to slide in/out from below. It’s a muffler. To me it was reminiscent of the big plastic muffler I had to put on the bonnet of my 2CV in winter, to reduce air cooling. I have to say this completely changes the tone which then sounds .. “muffled” I personally kept it out, but no doubt some people will adore the sound! Interested melodeonistas can easily enough make their own experiment with some stiff cardboard and Blu Tack ….|
I couldn’t find Saltarelle at all but discovered Loffet and co in a corner. I’d promised to look at some middle range instruments and gave his, and the corresponding Casta’s a bit of hammer. As last year I felt you’d pay about 10% less for the same quality of sound and ease of play. Bernard’s tone was also nicer to my ear – but then he’s a “tuner and fettler of reeds”, so that isn’t too surprising. I do prefer Loffet’s “Italian made to own design” boxes to the ones now being constructed in Brittany. There may be a learning curve in play here, and again, others might feel very differently. You really do have to try before you buy
Hurdy-Gurdy design is very much in flux at the moment – a lot of innovation even amongst the traditionalists! Several luthiers offer all electric gurdys. I thought these were really clever. As a gurdy buzzes anyway – the tone sounds OK! The ampification then permits all sort of new technique, in particular pizzicato play. I expect some on stage delights in the near future … here’s what Gregory Jolivet can achieve (solo, improvised) with such kit One model even had a wheel that slid along the shaft – engage or disengage the strings at will!
BTW: met with Aberystwyth based Dylan Cairns-Howarth who is a fiddler, but was incredibly fluent on electric gurdy “self taught off youtube”! This is one young talent to watch out for. The lad’s pauvre papa Andy is gonna expend a fortune kitting him out with instruments!
There was very little in the way of sessions going on, most of what was seemed to be groups/friends. I locked the box in the boot (blessing the NHS card that got my car onto the camp field!) and “carefully” climbed the muddy slope onto the big dance floor. Moussaka hale from Marne/Vosges in the east, but do quite the most energetic Breton I’ve ever heard. Flavien Di Cintio was superb on his 3-row .. all over the place .. try this suite plinn! Dolly May … bopped all night again
Dols, scatting with two English bagpipers
* St Chartier “rules” have always been that a luthier gets a stall,