This is part of the Bal Folk Tune Book Project. Scottishes #5 and #6, “Scottish à Catinaux” and “D’où Viens-tu P’tit Bonhomme.” The first tune I play as I always have and realized today that I’ve been doubling all the parts forever. Well, that’s a habit that’ll stick. The second tune I don’t play at dance speed, just a little slower, more cinematic or — as I’ve been accused — Wagnerian. I am NOT AT ALL pleased by my accordion face in this one. Not exactly a gormless wonder, but hardly gormful.