The Free Reed Liberation Orchestra returns with a waltz which Steve Gruverman and I first heard on a cornemuse anthology, Landes de Gascogne. A couple of interesting points. First, a bunch of people play multiple tracks, but even though they are multiply audio-ed, they are only shown once in video. Also, Anahata with the pipes! I am smitten. And, first FRLO piece with puppets, thanks to Janneke.
Free Reed Liberation Orchestra (February 2021 edition) Anahata, Matthew Bampton, Gary Chapin, Steve Gruverman, Ben Hemmendinger, Little Eggy, Gren Penn, Rick St. John, Julian Scholefield, Janneke Slagter, Barbara Truex
Puppets by Janneke Slagter Directed by Gary Chapin accordeonaire.com
I was sad to hear that, earlier this month, the Maestro Dino Baffetti passed away. When one considers the reach of Baffetti Accordions, the amount of joy he’s responsible for bringing into the world is amazing. As a tribute, here are some videos of folks playing Baffetti accordions and translating that joy. Thanks to friends at mel.net for helping put this together.
A few days ago I came across a performance of Scottiche à Catinaux (spellings vary, but I like this one) by French one-row accordeonaire Gilles Poutoux. In itself it’s unusual to hear French tunes on the one-row (though there is the obvious connection to Quebecois and Cajun one-row traditions), but the tune happened to be one of my faves, a Bal Folk standard.
The scottiche is a medium tempo couples dance in 4/4 (I love medium tempo). This one is particularly simple and seems to come along early in the learning arc of many players. Perhaps because, it appeared on Jean Blanchard’s seminal Accordeon Diatonique recording, which set the bar for everyone back in 1977. But its simplicity does not diminish the joy and possibilities for Scottiche à Catinaux. Poutoux on the one-row plays a bubbly sort of scottiche, with a lot of verve and vim. But that’s his take on the tune. Here is the sheet music, the pure tune:
Scottiche à Catinaux
(NOTE: This is a correction from an earlier posted image, h/t Anahata)
Notice on the third beat of the first bar in the B section, where the melody drops. It goes to an A. An F chord is the natural choice, and that F chord makes all the difference. The F chord confirms that, in fact, there is love in the room. That’s right. I said it.
There are many versions of this tune on the YouTubes. I especially love Anahata’s version, pairing the tune with Scottish á Virmoux, another ear worm of a tune.
Finally, I’ll offer my own version from my CD, L’Autre Diatoniste (available at Bandcamp). At this far remove (it was recorded five years ago) it sounds too fast (that’s the trouble with technically easy tunes), but I still like it. I like Will Leavitt’s spoon playing. And I like the second tune, L’eau de Roche. Enjoy.
Every Monday, I will be posting a new or newly discovered (newly by me, anyway) video of French accordionistics. If you would like to draw my attention to something out there that should be posted, or want to submit one of yourself playing some French tune (including Breton) on accordion, email me here.