A humble tune from the Bal Folk Tune Book; it does not even have a name listed*. I’m wondering if anyone knows the name, and even if there is a lyric. This tune has everything I love about bourrées the streams of eighth notes, the odd melodic accents that make the 3/8 meter seem like a faux pas that is not actually faux. Dedicated to Brigid Chapin, as she begins her graduate program this week!
Thanks to -Y- over on mel.net I have discovered that this is a tune called “La Ricoise!” Check out these vids of others playing same:
Two mazurkas for you. Mazurka Sainte Colombe (#123) and Tiro l’Auto (varsovienne) (#130). I’m not sure what the varsovienne thing is — there are a number of tunes with that appellation, and they have a rhythmic similarity, but I don’t know if it’s a particular dance or if it’s just supposed to indicate its provenance coming as a waltz from Vienna (even though it’s a mazurka). So there.
The band, Le Bon Truc, got together for the first time in four months and played on the porch. Steve (clarinet) was a little more socially distant that Barb and I because his is a wind instrument, but we sounded great and had fun and actually (*weepy*) shared space together. This 3 beat bourrée is one of our favorite tunes. This was literally the first tune of the afternoon for us. It’s tune #62 in the Bal Folk Tune Book.
Three-beat bourrées from the Bal Folk Tune Book (#34 and 44) played on my Castagnari Mori with all but one reed stopped, and the bass and third reeds stopped on the left hand. Photos of Auvergne harvested from the web. Part of the Bal Folk Tune Book Project. The tunes are “J’avais une bonne amie” and “Derrière Chez Nous.”
Proven: wearing a mask will NOT impede your ability to play a French waltz! Also, if you want to play accordion, be pandemic safe, AND fight crime, I think I’m onto something. This is #112 in the Bal Folk Tune Book. One of those tunes you pick at while going through the book figuring out what to play next. Then you get to the end and it washes over you, “That was delightful!”
Two bourrées in honor of the impending four month mensiversary (#notamadeupword) of my marriage to Sunshine! The two bourrées are La Bourrée des Dindes (#166) La Bourrée á Six de Briantes (#164) from the Bal Folk Tune Book.
And if the second tune sounds familiar, it’s because de Briantes is identical to one of the Youp Nanettes. Yes, the identical tune (in a different key) is in the book twice.
This is #94 in the Bal Folk Tune Book Project. A beautiful three part waltz that is very much in G, until you get to the third part and there’s an extended bit in D minor! I ask you! So fun.
Recorded on June 20, 2020, this is the first time I played with another human since the shut downs started in March. Brigid came up the day before Father’s Day and — though it wasn’t her intention — it was her gift to me. We used two phones to record, one near her facing me, and the other near me facing her. This way, both instruments can be heard well — I am very pleased with the outcome!