FRLO: Scottish à Catinaux & Scottish du Pére Rouxel

This one is suitable for dancing! The June 2021 edition of the Free Reed Liberation Orchestra plays two bog norm scottishes. The group this time is mostly stalwarts with one new member – hello, David Barnet!

The group is:

Anahata, Matthew Bampton, David Barnert, Gary Chapin, Margaret Cox, Andrew Edgington, Steve Gruverman, Eric Johnson, Howard Mitchell, Gren Penn, Julian Scholefield, Janneke Slagter

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The Rock in the Mountain (an FRLO Shenanigan)

Chris Parkinson – L'Accordeonaire
Chris Parkinson. Some call him “Parky,” but not me.

This march is dedicated to the wonderful British accordionist, Chris Parkinson, who was the box player for my favorite group, The House Band. That band, made up of Parkinson (also playing keyboards), Ged Foley (guitar, small pipes, singing), John Skelton (flute and bombarde), and Roger Wilson (fiddle, singing), had a huge impact on me as I shifted into folk music. To the point where I remember handing three of their CDs off to a potential band mate, and I said, “This is the kind of music I want to play.” It wasn’t just the Celtic, or the pan-Celtic, or the Breton, or any specific genre focused thing, it was the energy of the group and the mix of talents and choices. I saw them once in Minneapolis and they were all kind enough to hang out after and speak to me. Skelton provided “some comfort” on a bombarde question I had, and Parkinson gave me a tour of his instruments and laid down some breadcrumbs for me to find my way to the box as my instrument not long after.

Some four weeks ago, I was wondering what the next FRLO tune would be and was driving in the car with Sunshine (my wife) and “The Rock in the Mountain” came on. She said, “That’s the next Orchestra tune.” And it is. The images are all Sisyphus. Get it? The rock in the mountain? I guess it was low hanging fruit, but it amused me.

A few interesting things. This video has eleven musicians, but eighteen tracks of music. Many of us are playing multiple tracks, which is fantastic. Anahata’s cello makes its first appearance in the orchestra, as does Howard’s bass concertina (which I erroneously termed “baritone”), and Barb’s faux snare drum. This is the Free Reed Liberation Orchestra, and it is MOSTLY accordions and concertinas, but we are super grateful for friends like Barb, Margaret, and Eric on their respective stringy things. The backbone of this effort is the wall of reeds that comes in the second time the tune plays, laying down a solid solid melody and allowing the other tomfoolery to happen. This process does tax my computer, though. Sometimes listening to it do the math is like watching men move heavy objects. “You got it? I got it.” Two of the videos submitted refused to work, so you get a still pic of Julian and Barb. I will try to solve by next piece.

House Band type music is still “the kind of music” I want to play, even if my version would be a bit less celtic and a lot more French. I think there’s room in the world for such a thing.

The Free Reed Liberation Orchestra is
Anahata, accordion, concertina, cello
Matthew Bampton, accordion
Gary Chapin, accordion, whistle
Margaret Cox, fiddle
Little Eggy, accordion
Eric Johnson, guitar
Howard Mitchell, concertinas, accordion
Gren Penn, accordion
Julian Scholefield, accordion
Janneke Slagter, accordion
Barbara Truex, tenor guitar, faux snare

directed by Gary Chapin
All are welcome!
If you want in on the next project contact Gary

Quoun vòls ganhar (FRLO Waltz)

The Free Reed Liberation Orchestra returns with a waltz which Steve Gruverman and I first heard on a cornemuse anthology, Landes de Gascogne. A couple of interesting points. First, a bunch of people play multiple tracks, but even though they are multiply audio-ed, they are only shown once in video. Also, Anahata with the pipes! I am smitten. And, first FRLO piece with puppets, thanks to Janneke.

Free Reed Liberation Orchestra
(February 2021 edition)
Anahata, Matthew Bampton,
Gary Chapin, Steve Gruverman,
Ben Hemmendinger,
Little Eggy, Gren Penn, Rick St. John,
Julian Scholefield, Janneke Slagter,
Barbara Truex

Puppets by Janneke Slagter
Directed by Gary Chapin

“War Hent Kerrigouarch” (FRLO #3)

We do this every once in a while, contact Gary Chapin if you want in!

This is the THIRD recording by the Free Reed Liberation Orchestra and our first Breton offering. This project has been a blast and something that would never have happened without the pandemic or me being laid off, so that says … something. I’m not sure what!

“War Hent Kerrigouarch” (The Road to Kerrigouarch) is a Breton tune that I first heard on the Kornog album, Premiere. Later, Alisdair Fraser did it with cellist Natalie Haas as part of their Derriére Les Carreaux set. Jamie McMenemy (of Kornog) recorded it on his own first album in 1981. It was written by Soig Siberil, guitarist for Kornog (thanks to Patrick Moriarty for letting me know that in the comments). The F.R.L.O (Nov 2020) is Anahata, Matthew Bampton, Gary Chapin, Margaret cox, Steve Gruverman, Benjamin Hemmendinger, Eric W. Johnson, Little Eggy, Janneke Slagter, Greg Smith, Barbara Truex.

My son, Max (living in Japan), brought this tune to my attention when he transcribed Alistair Fraser’s set for my band (Le Bon Truc) to play. We may still do that, COVID willing, but in the meantime, I hope this pleases him.

La Françounette (Free Reed Liberation Orchestra)

Introducing the second Free Reed Liberation Orchestra tune, La Françounette, a waltz which also happens to be #108 in the Bal Folk Tune Book. This is eleven box players (all from, one clarinetist, one fiddler, and two strummy-strummy players. I said this for the last FRLO recording (which was also the first). this is among the coolest things I’ve ever done in my life, and I am very grateful to everyone playing and listening.

The Free Reed Liberation Orchestra (October 2020, pt. 2) is Anahata, Matthew Bampton, John Barber, Gary Chapin, Benjamin Hemmendinger, JohnAndy, Howard Mitchell, Helena Painting, Gren Penn, Julian Schoenfield, Janneke Slagter, Greg Smith, Steve Gruverman, Margaret Cox, Eric w. Johnson, and Barbara Truex. Performance ©FRLO 2020

Note: Turns out this tune is virtually the same tune as another in the Bal Folk Tune Book, Valse à Bouscatel #111.