Thanks for the tips. I really appreciate your opinions on all this and feel I know where to go from here in looking for a particular box. It’s hard to decide since there are so many beautiful accordions out there, not just brands but keys and reed set-ups as well.

I took a look at that Corona III and you are right, it is has a remarkable sound. I also love the sound of your Dino Baffetti. But I think I will probably go with a less expensive, simpler option at this stage in my playing like a Presswood or Pokerwork like you say. I should be able to afford one of these and feel it would be a better choice than the Panther. I really liked the used Presswood and Pokerwork boxes on the Button Box’s site and watched the videos.

As far as key, I’m assuming a two row G/C will be a good tuning to start out with. I figure that’s what many players would do French folk music with. I know that hurdy gurdies that are usually G/C tuned are considered Auvernait and D/G Bourbonnais. I’m hoping for something that is a pretty standard key for my first instrument. And G/C is good for American folk stuff too which most of my local musician friends play – although I do like playing in D also… but I figure I always have my chromatic accordion for other keys if I want them.

And I’m going to do some looking around for a shop in my area (Los Angeles) and up north around San Francisco too as I’ll be up there most likely this summer for a family trip. There is an annual accordion festival near there in a town called Cotati (which is close to SF), although going to it is not an option this year for me. Still, maybe there is a shop up there.

And maybe I’ll be surprised and find something in my area too. I found out this year that one of my high schoolers is learning button accordion from his uncle. I’m sure there are more at my school who play as well;  my school is overwhelmingly Latino and accordion is plentiful in a lot of the traditional and popular Mexican music.

Thanks again for all your help! I’ve learned so much from our exchange and am deeply grateful for the chance to talk.

David

After talking with the Button Box some, visiting a place in downtown Los Angeles that had a few diatonic accordions (mainly 3 rows for Norteno players, Corona, Panther, etc.), checking my budget and looking on Craigslist, I decided to buy a Hohner Panther to start myself out.

And although I really like some of the used “Presswoods” and Pokerworks on the Button Box site, I am looking for a G/C instrument and they don’t currently have any in my price range. I’m staying on the look out for one of these but in the meantime, I was able to easily get started with a Panther.

There are a lot of Panthers and Coronas on Craigslist out here in California, and I wanted to be able to play the box I was getting since I have heard the Panther’s out of factory tuning can be inconsistent sometimes. Getting one on ebay, even new just seemed scary to me.

Also, the place in downtown LA wanted 600 for a Panther and I could get one on Craigslist for 350-400. I found an older style Panther about 20 min. away, the model with the Corona-like grill (I really don’t like the newer grill) and it is in great shape. I have been really enjoying it! It is so light compared to my 60 bass piano accordion and I love figuring out tunes and just noodling around on it around the house while my kids play. And I can take it with me so much more easily than lugging the 17 pound piano accordion around!

So my plan is that I’ve got this Panther and will play it for a year or two to see how I like playing a diatonic box. I figured that if I didn’t like it as much as my piano accordion, I could sell it. But if I did like it (which I do!) then I eventually will probably sell my Panther locally on Craigslist and step-up to a nicer box.

I also got the Panther, because I thought I might like the 3 row over a 2 row. I’m undecided on this right now, but the Panther was an inexpensive way for me to try out playing essentially either a 2 or a 3 row system. I purchased Pignol &  Milleret Book 1 from the button box and am playing the Panther with this course like it is a 2 row instrument, since that is probably what I will eventually get (but that third row is tempting for shortcuts and fun stuff).

I like having this P and M as a structured course to get my fingering right from the beginning (but ouch it works my left hand pinky doing basses with four fingeres! – I’m used to Stradella bass and NO pinky). But even though I’m not doing much row crossing yet in the course, I’m amazed at how quickly I figure out the same tones and runs across the rows when picking out favorite tunes and messing around with it.

One question for you if you don’t mind… Pgnol and Milleret “deeply” suggest removing thirds. I looked this up on Mel.net and read up on it a little, and now am thinking about taping off my thirds.  I took my basses out and mapped out the thirds and I could tape them off easily (although it means taping the reeds themselves which I hesitate to do until I talk to the Button Box or Mel. net or something; I’m very careful to not touch my reeds, even breathe on them, so the idea of taping them makes me cringe). On Italian boxes, I guess thirds are on the same “port” so you can tape them at the “hole” very easily, but Hohners are not like this. If I take the ports on most of my thirds, then I will also be taping a tonic or a 5th for another chord.

Do you play with thirds? I taped my Bb at the port to see how I would like the sound (has the third on push and pull), and I do like it. I like the simplicity and un-Stradella-bass-ness of it. But maybe I’m a little jaded to Stradella-sounding basses from piano accordion playing. When I play French-Trad. things on my piano accordion, I think the Stradella-bass mucks it up on occasion. If you did remove thirds, any advice on taping them off?

Sorry I got a little long-winded, but I love getting to talk about this stuff with someone who enjoys listening. I’m sure you understand.

Thanks! David