Gratitude at 40,000 Hits

In the United States, the fourth thursday of November is Thanksgiving. I love this holiday and love having the opportunity to express my gratitude for the extraordinary blessings in my life, many of which center on the accordéon, its music, and its masters.

  • Speaking of masters, first on the list would have be my wife, who has been generally and genuinely supporting of my accordéon efforts during the course of our marriage. Just as one example, she did NOT send back the Castagnari Nik when it arrived in the post last February, when I was at work. Instead, she sent a picture on my phone, and called me up so I could hear how it sounded.
  • Thanks to the folks who have willingly discussed with me things accordéon related, including Frédéric Paris, Sylvain Piron, Dave Mallinson, Alexandra Brown, and, most recently, Andy Cutting.
  • Thanks to the friends of this blog — whether they know it or not — who have been willing to discuss issues with me as I developed posts.  Some have actually written stuff that I’ve published here. Thank you, Andy of Vermont, Chris Ryall, Geoff Wooff, Owen Woods, Steve Mansfield, Chuck Boody, et many al. Tom McDonald — despite being a non-accordéonist — has been a real help just on the blogging and inspiration front.
  • Thanks to melodeon.net! Not enough to be said about that friendly, squeeze congregation’s influence on my quality of life! Just today, a quorum from that parish helped talk me off the ledge over a reed that seemed to be going sour.
  • Thanks to everyone involved in the collective effort to bring the “La Bourrée” tune book out, a huge important task! The folks at concertina.net really stepped up for this one.
  • Thanks to my kids — Max, Brigid, Emma, Julia, and Sarah — who somehow think that it’s cool that their old man plays obscure accordéon music. They continue showing up to my gigs.
  • Thanks to Amy and Rob, at the Water St. Cafe, in Gardiner, who have given me a place to play regularly in the past few months, so that I could get my chops into shape.
  • Thanks to everyone who reads this blog. Having just crossed the 40,000 hits line, I have no idea, really, who you all are (the occasional comment would go a long way!) … and I monetize the blog in only a very minor way … but this blog was started because I wanted to talk about accordéons with people who wanted to listen to me talk about accordéons.  Thank you.

25,000 Visits! Thank you!

Last week, I had a minor celebration as the hits ticker crossed over the 25K line. For a blog like this one, covering an instrument and music genre that could both be described as obscure, that’s pretty danged good. The title of the blog – a French-ish word that doesn’t actually exist – came from an album I put out in 2003. I created this blog just as a space to explore my fascination and to find others interested in doing the same. It worked!

Some facts that you might find interesting:

  • I’ve been averaging about 70 hits a day, though there are spikes when a new piece goes up. There are always a few bots hitting the page, though. At one point, a bot on a friend’s blog took aim at mine and my page a few hundred times over a week. I have no idea why anyone would do that.
  • The top referring site, by far, is melodeon.net, followed by concertina.net. Many of the pieces that I’ve written here, have started out as a conversation on one of those boards.
  • “Frédéric Paris” is the number one search term that leads here.  “Lõõtspill” is number ten.
  • Through this whole process, Andy from Vermont, has been a great ally, support, and resource. Thank you, Andy!

This blogging stuff has been a blast, and has inspired me to play more then ever. I appreciate the readers, and will endeavor to continue giving satisfaction. I’m hoping to do an interview with Sylvain Piron, and, fingers crossed, Jean Blanchard. I missed an opportunity when I recently had my Saltarelle worked on and forgot to ask the fettler to take pictures, so I’m hoping to take a pilgrimage to The Button Box and talk extensively with the folks there.

Again. Thanks, everyone.

La Bourrée (Last Tunes)


I originally published this in batches, but the entire tunebook can be found here.

Here are the last three pages of the proper tunebook portion of “La Bourrée.” After these, there’s an extensive essay on the history of the bourrée — it goes into François I and Catherine de Medici — and some tutorial material on dance. All of it will be posted here. I find the illustrations from the book charming, and will do a post dedicated to them. For the tune hounds out there, Steve Mansfield is putting together an ABC file of the dots, which I’ll link to when it’s available.  In addition, I’ll put all of these images into a PDF and post them as a permanent page. Thanks for hanging with me to this point.

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