Two scottishes from the Bal Folk Tune Book (which you should buy), “Chez la Mère Antoine” (#20) and an unnamed tune (#15). They sound old, to me. Like bog norme, as one friend described it. “Tiny,” my organetto in A flat, has been out of commission for the humid months (sticking keys) and has recently returned to mid-season form. Even though it has two additional buttons, I still play it essentially as a one row. It really is a very fun little thing, and, as I say, it plays in A flat, which not many diatonic things do.
I lead a good life. On May 2nd, my trio, Le Bon Truc, played at Blue, in Portland (Maine). We managed to pack the place and then play perhaps our best ever. It was super and felt great. Friend of the band, Sunshine Perlis, took video of eleven of the sets. The lighting is suboptimal, but the sound is great. I’ve put these together into a playlist so you who wish may enjoy our good fortune!
We’re hitting five years of playing together, and our lax variety of ambition has served us well. I love these two, and I love the music we make.
It’s been a dream for me to play music with my kids and I was able last weekend to do that! And I recorded. Here are Brigid and I playing a scottish by by Frédéric Paris and a hanter dro by Sylvain Piron. Also, I sing in French for the first time on video!
A few days ago I came across a performance of Scottiche à Catinaux (spellings vary, but I like this one) by French one-row accordeonaire Gilles Poutoux. In itself it’s unusual to hear French tunes on the one-row (though there is the obvious connection to Quebecois and Cajun one-row traditions), but the tune happened to be one of my faves, a Bal Folk standard.
Notice on the third beat of the first bar in the B section, where the melody drops. It goes to an A. An F chord is the natural choice, and that F chord makes all the difference. The F chord confirms that, in fact, there is love in the room. That’s right. I said it.
There are many versions of this tune on the YouTubes. I especially love Anahata’s version, pairing the tune with Scottish á Virmoux, another ear worm of a tune.
Finally, I’ll offer my own version from my CD, L’Autre Diatoniste (available at Bandcamp). At this far remove (it was recorded five years ago) it sounds too fast (that’s the trouble with technically easy tunes), but I still like it. I like Will Leavitt’s spoon playing. And I like the second tune, L’eau de Roche. Enjoy.