Every Monday, I will be posting a new or newly discovered (newly by me, anyway) video of French accordionistics. Obviously, this is no departure from what this blog is about. In light of recent events I thought I would step up the consistency and pace of putting this joyful music out there — a strike against the rage, nihilism, and misanthrope that seems to be boiling up out there.
If you would like to draw my attention to something out there that should be posted, or want to submit one of yourself playing some French tune (including Breton) on accordion, email me here.
Thank you Tim Hall!
A few months ago I mentioned that I was determined to learn the Edith Piaf classic, “Sous le Ciel de Paris.” I had been asked to accompany a singer, but then decided I wanted to learn the Tune itself. I saw the Anders Johannson video and was thoroughly inspired. In the end, I did not use his arrangement. I based mine on the arrangement my singer was using. There are some techniques of Johannson’s that I would dearly love to get under my fingers — those descants! But I’m pleased with the progress I’ve made. I follow the example of fellow blogger Owen Woods who, in April, posted some “experimental” work he was doing with descants, and then just recently posted a piece about the joys of being “out of my depth.” Very joyful, indeed. Sigh.
Some technical points. I’m playing it basically in A minor, but there’s a lot of straying from typical diato chords. I pulled the thirds out of the chords on the left hand. My goal wasn’t so much to find the right chord for the song, but to find a dyad that fit with the chord.
I was asked if I could perform this wonderful and famous chanson at a gig next November. Listening to the Yves Montand and Edith Piaf versions, I thought, “Very lovely. How would this be done on the diatonic?” Then I found the following performance of the tune by Anders Johansson. I might need to take a few days off after that. Wow.
UPDATE: I have taken the time to learn this. My first serious attempt is HERE.