When I got my first flat keyed accordion (the Dino Baffetti in F/Bb/Eb), I asked the band if we could do some flat tunes just because. This was the first. A set of bog norm bourrées in three performed at Port City Blue — in Portland, ME — about a year ago. The tunes are 1. Bourree Droite 2. Bourree de St. Pierre 3. Bourree d’Egletons.
I’ve kept this blog since 2011, and I’ll have to admit that I don’t write as often as I would like anymore. But the posts written over the years seem to stand up pretty well. From tributes to heroes of mine (e.g., Yann-Fanch Perroches and Daniel Thonon), or an interview with Frédéric Paris or Andy Cutting. I take deep dives into specific tunes (e.g., On d’onoren Garda and Le Cotillon Vert). Over on the side bar are links to a bunch of things: interviews, a great tune book, my own CD, and a story about my trip to Alsace.
What I’m saying is that there’s a lot of cool stuff here that I had a lot of fun writing — all of it about button accordion. I do occasionally add to the pile — when I write tunes, for example — and I invite you to explore the 250 or so posts that are here.
Thanks
Gary
La minuscule. Dots are below, first in Ab, then in G.
Hey! Apparently, we are “hot” right now!
Le Bon Truc has two gigs before November.
This past week I picked up Tiny, who had undergone repair, and then went to stay at my sister’s for a day or two. Her place has great sound and is very dramatic. She’s got a chifferobe (portmanteau of “chiffonier” and “wardrobe” — Fun Fact Gary!) that has quite a character. I shot two pieces in its vicinity. The first is Wim Poesen’s amazing Wals vor Polle.
The second is Mazurka de Comptoir
Notice how much the Chifferobe contributes. That there is a piece of furniture! My sister says I look too serious. They don’t know about accordion face, these civilians. Any accordionistx would know that I am brimming with joy in both of these.
Hello, all, I’ve been silent on the blog for some months, and I don’t necessarily apologize for it. We all go through periods like this. I’ve been keeping this blog since 2011 and the depth of my passion has not dwindled a bit, even if my volubility has. Here are some things.
Yesterday, I swung by the Button Box because my Concertino organetto had sticking keys. It wasn’t always the same keys, but there were always some keys sticking on that thing. I do some work out in Western Mass, and took the opportunity to visit. While there I tried an amazing beauty of a Castagnari Benny (G/C/Acc), a thing of beauty, a wonder to behold. And so damn light! I played a bunch on it and left it behind, grateful for the chance to touch it. While there I also picked up to Irish music CDs.
Bobby Gardiner and Dave Munnelly
It was an unusual move for me! The jigs and reels have plenty of representation in my life, and you may have noticed that this blog is devoted to French-ish music of an accordion sort. And yet … I have developed an obsession with Irish melodeonists, which, in this context, means players of Irish music on the one-row box. I’ve loved this sort of thing since I heard Tom Doherty’s Catch the Bull by the Horns, CD, back in the 90s. Lately, I’ve been stalking Dave Munnelly’s YouTube page, and then saw reference to Bobby Gardiner — the doyen of the D row — and saw each of them with a CD for sale at the Button Box.
St. John’s, Newfoundland
Because Maine isn’t cold and wind blasted enough in February, last week I took a trip to Newfoundland, which has an amazing button accordion tradition (you don’t need me to tell you that). I went to the legendary O’Brien’s Music Store. Tried the boxes and talked to the folks. It was a good time! Looking forward to going back. That night — sans box — we went to Erin’s Pub, where a storytelling circle was being held (Newfoundland!! Amirite??). I got up and sang a thing. No accordions involved, but a good story song.
Upcoming Performances!
On March 30, I’ll be playing with my quintet Nouveau Chapeau at the Down East Country Dance Festival, which is mostly contra-dancing but has lots of other stuff going on, like the Bal Folk session that we’re playing for. That’s in Topsham, Maine.
On March 31, my trio, Le Bon Truc will be playing the inaugural concert of the Crockerbox House Concert series in Hallowell, Maine.
The tune is “Le Roulier,” a traditional piece that I first heard on Frédéric Paris’ Carnet de Bal. The images are photos taken by my daughter, Brigid.
Something for 11/11. Farewell to the boys of my country.
I first heard Chris Parkinson on the amazing House Band recording, Another Setting. I saw him play with the band in Minneapolis in — I wanna say — 1994? I am almost certain I wouldn’t be playing accordion without him.
