Would you believe even MORE Bal Folk Bourrées?

Three Bal Folk Bourrées “Quinta” (#80) “La Montagnarde” (#84) “Frida” (#73) (that’s the correct order, they are listed in the wrong order in the video, sorry).

The first and the third of these were unnamed in the book, so I named them after two of my cats so I could keep them straight. from The Bal Folk Tune Book Project

Un Pied dans L’eau

Tune 17 in the Bal Folk Tune Book, this scottish has a nice harmonic ambiguity. A lot of different choices could have been made. In the end, for the A section, I went with Amin-F-Dmin-Bb. All the thirds in the chords are off, so the major/minorness is just implied. The B section is Amin and then G (with a smattering of D thrown in).

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Three Bal Folk Mazurkas

Mazurka Auvergne (#134), Mazurka de Samatan (#142), and Mazurka (untitled, #136) played on my Hohner Erica, in A. The unnamed Mazurka is a variation on one that I play a lot, but it’s very similar to a version played by Gentiane, found below. Also includes their version of the amazing Brezon Valse.

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Three Bourrées (2-time)

Continuing the Bal Folk Tune Book Project with three 2-beat bourrées — “Les Moutons” #153 “En Passant la Rivière” #144 “Bourrées Dérobée” #148 — done in a fairly straightforward style. The first and third tune are in G, the middle tune is in D. That was a choice I made, since it is a completely diatonic tune, and usually for that sort of thing I would either transpose to a home key for this box (G/C) or get a different box in the right key. I did neither of those things and, because the key is a not-home one for that box, it sounds clunky to me when I get to the C#.

Oy!

Well, that is why I took up the project — aside from obviating pandemic madness — to push me further in my playing. I’m almost ninety tunes into the Bal Folk Tune Book Project and the low hanging fruit is disappearing.