Two Waltzes from the Bal Folk Tune Book (but they are played in Aflat) “Lo Rossinhol” (#118) “Aure Françoise” (#116) If you’d like to support this work or just buy me some coffee Venmo is @Gary-Chapin-7 Thanks!
A mazurka (#141) in the Bal Folk Tune Book Project, written by Chris Shaw. The video footage comes from a walk Sunshine and I took on the ice on David Pond, in Fayette, ME. Played in Gm on my Dino Baffetti F/Bb/Eb box.
Tune 17 in the Bal Folk Tune Book, this scottish has a nice harmonic ambiguity. A lot of different choices could have been made. In the end, for the A section, I went with Amin-F-Dmin-Bb. All the thirds in the chords are off, so the major/minorness is just implied. The B section is Amin and then G (with a smattering of D thrown in).
If you like this sort of thing and would like to support the blog, please click on “Support This Blog” above! Thanks.
Mazurka Auvergne (#134), Mazurka de Samatan (#142), and Mazurka (untitled, #136) played on my Hohner Erica, in A. The unnamed Mazurka is a variation on one that I play a lot, but it’s very similar to a version played by Gentiane, found below. Also includes their version of the amazing Brezon Valse.
If you feel like tipping the accordionist, go here!
Continuing the Bal Folk Tune Book Project with three 2-beat bourrées — “Les Moutons” #153 “En Passant la Rivière” #144 “Bourrées Dérobée” #148 — done in a fairly straightforward style. The first and third tune are in G, the middle tune is in D. That was a choice I made, since it is a completely diatonic tune, and usually for that sort of thing I would either transpose to a home key for this box (G/C) or get a different box in the right key. I did neither of those things and, because the key is a not-home one for that box, it sounds clunky to me when I get to the C#.
Well, that is why I took up the project — aside from obviating pandemic madness — to push me further in my playing. I’m almost ninety tunes into the Bal Folk Tune Book Project and the low hanging fruit is disappearing.
“Valse à Bonnejoie” is a tune I first heard of Frédéric Paris Carnet de Bal cassette. It’s a standard in the repertoire, and one that I sort of ignored for years and years. Who knows why? (Hint: not me) It’s also #103 in the Bal Folk Tune Book. Even though it is written in D, I am playing it in G. So there. Take that.
Three Bourrées from the Bal Folk Tune Book (#81, 77, 82) with Lou Diziou be Pierrou in the middle. Also, footage of fire. Decided to play these as melody only because … sometimes that’s a good test of your playing. Can you keep the rhythm without accompaniment? These are all great melodies.