Mazurka Auvergne (#134), Mazurka de Samatan (#142), and Mazurka (untitled, #136) played on my Hohner Erica, in A. The unnamed Mazurka is a variation on one that I play a lot, but it’s very similar to a version played by Gentiane, found below. Also includes their version of the amazing Brezon Valse.
If you feel like tipping the accordionist, go here!
Continuing the Bal Folk Tune Book Project with three 2-beat bourrées — “Les Moutons” #153 “En Passant la Rivière” #144 “Bourrées Dérobée” #148 — done in a fairly straightforward style. The first and third tune are in G, the middle tune is in D. That was a choice I made, since it is a completely diatonic tune, and usually for that sort of thing I would either transpose to a home key for this box (G/C) or get a different box in the right key. I did neither of those things and, because the key is a not-home one for that box, it sounds clunky to me when I get to the C#.
Well, that is why I took up the project — aside from obviating pandemic madness — to push me further in my playing. I’m almost ninety tunes into the Bal Folk Tune Book Project and the low hanging fruit is disappearing.
“Valse à Bonnejoie” is a tune I first heard of Frédéric Paris Carnet de Bal cassette. It’s a standard in the repertoire, and one that I sort of ignored for years and years. Who knows why? (Hint: not me) It’s also #103 in the Bal Folk Tune Book. Even though it is written in D, I am playing it in G. So there. Take that.
Three Bourrées from the Bal Folk Tune Book (#81, 77, 82) with Lou Diziou be Pierrou in the middle. Also, footage of fire. Decided to play these as melody only because … sometimes that’s a good test of your playing. Can you keep the rhythm without accompaniment? These are all great melodies.
Good thing I recorded this earlier in the week because I’m not feeling especially delightful today and this is a delightful polka. Photos by Sunshine Perlis. This is tune #193 in the Bal Folk Tune book, I my have doubled the third part, once. It took everything I had not to double it every time.
Introducing the second Free Reed Liberation Orchestra tune, La Françounette, a waltz which also happens to be #108 in the Bal Folk Tune Book. This is eleven box players (all from melodeon.net), one clarinetist, one fiddler, and two strummy-strummy players. I said this for the last FRLO recording (which was also the first). this is among the coolest things I’ve ever done in my life, and I am very grateful to everyone playing and listening.
This improbably named tune is #30 in the Bal Folk Tune Book, a three-beat bourrée that is very addictive to play. I play with only the low reed on the Mory sounding, which made some of the bits tricky to do, but it’s a sound that I really enjoy, even if it’s usually a seasoning and not a main flavor. If anyone knows the story of this tune name I would love to hear it. (That’s what it’s called in the tune book, not a translation. The only English title in the book.)
It’s going take a long time for me to get through the Bal Folk Tune Book Project if I keeping getting obsessed with tunes like this.
Over on YouTube, brunokev doesn’t have much to say about where the name comes from, but he does do a great job with the tune on his pipes.
Many boxes, one piece. The Free Reed Liberation Orchestra is a notional (and virtual) orchestra to which any accordionist who wants can belong (and friends, like banjo uke and bass clarinet players). This is our debut upon the world. The tune is a bog norme bourrée, a tune that will get you a free drink at any Bal Trad Pub you might come across. This agglomeration of individuals are mostly habitués of melodeon.net — my home parish for diatonic squeeze matters. This tune is also known as La bourrée tourante, and is tune #32 in the Bal Folk Tune Book. This project is on the very short list of coolest things I have ever done. The Free Reed Liberation Orchestra (Oct 2020 edition) is Anahata, Matthew Bampton, Gary Chapin, Steve Gruverman, Benjamin Hemmendinger, Gren Penn, Pete (playandteach), Julian Scholefield, Janneke Slagter, Greg Smith, Barbara Truex. Video by Gary Chapin