The Strudel Set (Cochonchine and Pas d’Été)

I made strudel and played some tunes.

These two tunes — #212 and #214 from the Bal Folk Tune Book — are both from the “others” section. They are their own sort of set dances, i.e., dances linked to a particular locale with a specific dance associated with them. And they seem like two of the “old fashioned” tunes. The kind of tunes that folks call “the good old old ones.” The dance for Pas d’Été can be seen here.

The dancing is always fun til someone loses an eye!

And the dance for Cochonchine can be seen here.

Sweet dance.

Pas d’Été has this fingering sequence on the second half that should be VERY easy, but I find it so challenging to stay in time with it. Essentially, sequences where you have quick (but not VERY quick) notes in the same direction, with a sort of repetitive arpeggio vibe … I have a hard time keeping an even pace. It’s very weird.

Bourrée #63 (La Ricoise)

A humble tune from the Bal Folk Tune Book; it does not even have a name listed*. I’m wondering if anyone knows the name, and even if there is a lyric. This tune has everything I love about bourrées the streams of eighth notes, the odd melodic accents that make the 3/8 meter seem like a faux pas that is not actually faux. Dedicated to Brigid Chapin, as she begins her graduate program this week!

Thanks to -Y- over on mel.net I have discovered that this is a tune called “La Ricoise!” Check out these vids of others playing same:

Josefin’s Dopvals (by Roger Tallroth)

One of my very favorite waltzes, by Roger Tallroth of Väsen. I learned it from the version by Dervish, which is very winsome and almost sentimental — but goddammit it always gets me the third time through when drum kicks up! Very inspiring. This is specifically NOT a sentimental version. Trying something different. A straight-ish French waltz at French-waltz pace.

Three-beat bourrées (#34 and 44)

Three-beat bourrées from the Bal Folk Tune Book (#34 and 44) played on my Castagnari Mori with all but one reed stopped, and the bass and third reeds stopped on the left hand. Photos of Auvergne harvested from the web. Part of the Bal Folk Tune Book Project. The tunes are “J’avais une bonne amie” and “Derrière Chez Nous.”

J’ai un Petit Voyage à Faire (Valse)

Proven: wearing a mask will NOT impede your ability to play a French waltz! Also, if you want to play accordion, be pandemic safe, AND fight crime, I think I’m onto something. This is #112 in the Bal Folk Tune Book. One of those tunes you pick at while going through the book figuring out what to play next. Then you get to the end and it washes over you, “That was delightful!”