Mazurka Sainte Colombe and Friend

Two mazurkas for you. Mazurka Sainte Colombe (#123) and Tiro l’Auto (varsovienne) (#130). I’m not sure what the varsovienne thing is — there are a number of tunes with that appellation, and they have a rhythmic similarity, but I don’t know if it’s a particular dance or if it’s just supposed to indicate its provenance coming as a waltz from Vienna (even though it’s a mazurka). So there.

L’Aurillacoise (Bal Folk #122)

I was wearing a great hat in this one. But then cropped it out so you could spend time with the trees.

Here’s a deep dive. This is a great one that I have in a number of sources, and have been playing for years. You may not hear, but the third note is a sharp 4th (E, in this case, because it’s played in Bflat), and it’s such a fleeting note, but so essential!

It’s part of the Bal Folk Tune Project. Here’s Jac Lavergne playing it, on his wonderful AMTA cassette.

 

And here’s Henri Momboisse, from back in the day. Much ornamentation. Chromatic Button Accordion. A swifter instrument for a swifter time.

Also, the tune has a lyric, and here’s the group Wazoo doing a fantastic arrangement.

Three Flat Bourrées (#28 + #41 + bonus)

When I got my first flat keyed accordion (the Dino Baffetti in F/Bb/Eb), I asked the band if we could do some flat tunes just because. This was the first. A set of bog norm bourrées in three performed at Port City Blue — in Portland, ME — about a year ago. The tunes are 1. Bourrée Droite 2. Bourrée de St. Pierre 3. Bourrée d’Egletons.

 

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Waltz: L’Urosa Jardiniéra (#110)

Here’s a humble but wonderful waltz, found in Mally’s Bal Folk tune book (actually, I found it in the Massif Central Tune Book, pink volume). Playing it on the Baffetti almost entirely on the F row. I am including it in the Bal Folk Tune Book Project, even though I recorded this before starting that project. This was done before I got (more) tech savvy, so the sound is a little thin.