Oh my God! Steve and Barb and I were able to rehearse for the first time post-pandemic last week and it was amazing. Very emotional. Very fun. I went home feeling more light than I had since last summer. We played for many hours, and I tried to capture a bunch of footage. Here’s us playing the Roger Tallroth waltz. Aside from a few accordion stumbles at the beginning, it goes along quite well, until the 1:30 mark, when we turn the tune around, and suddenly we are levitating. So so good. (If I do say so, myself. And I do.)
UPDATE: Gilles Péquignot of Au Gré des Vent has pointed me to their more current web site — Association Carnet de Bal. On that site, four of the group’s albums are available for streaming. They also have about twenty-five tunes available as sheet music.
Continuing my fascination with asymmetric tunes — and my fascination with the Alsatian duo Au Gré des Vents — I present one of their most infectious tunes. “L’intermittent” is the opening track of their album Fraxinelles. It’s a scottisch-marche-valse composed by Danyèle Besserer. Here’s their recording of the tune.
“L’intermittent” excerpt by Au Gre des Vents
And here’s a recording of my band, Le Bon Truc, performing same. As Gilles pointed out to me, we take the tune much more freely in this context. He calls it “Wagnerian,” which is fair. For dancers, of course, regularity is everything (all of the “ones” are an equal distance apart).
And for those who want to try such a thing for themselves, here are the dots for the tune, as transcribed by the inestimable Steve Gruverman.
|Gilles Péquignot and Danyèle Besserer, with
Sylvain Piron in the tricorn hat.