Two Waltzes: La Marianne (#115) and Brezon Valse (#100)

I’ve always assumed “Brezon Valse” meant “Breton Waltze,” but I don’t know that for a fact. I learn in the comments below that Brezon is a valley in Auvergne, and I feel a little foolish. But thank you Emmanuel Lazinier, for letting me know! I’ve only heard it played by Auvergnat players, Gentiane and Michel Esbelin — it’s a great tune with an ABCB structure, which means you practice the B section twice as much as all the other sections. “La Marianne” is a Frédéric Paris tune from his fantastically important Carnet de Bal cassette. I’ve recorded it a few times, including once playing with my Dad.

Had to switch computer systems last night and went back to old video editing software, not such a fan. In the old software I would have cropped out the vacuum cleaner.

This is part of the Bal Folk Tune Book Project. Go check it out and buy the tune book!

Two Old Waltzes

I learned these two from Sylvain Piron’s website nearly 25 years ago. They are Valse á Cadet and Valse d’Ernest Lurde. For some reason I thought they were in the Bal Folk Tune Book. They are NOT. But they are kickass waltzes and I invite you to wallow in their kickassedness.

L’Aurillacoise (Bal Folk #122)

I was wearing a great hat in this one. But then cropped it out so you could spend time with the trees.

Here’s a deep dive. This is a great one that I have in a number of sources, and have been playing for years. You may not hear, but the third note is a sharp 4th (E, in this case, because it’s played in Bflat), and it’s such a fleeting note, but so essential!

It’s part of the Bal Folk Tune Project. Here’s Jac Lavergne playing it, on his wonderful AMTA cassette.

 

And here’s Henri Momboisse, from back in the day. Much ornamentation. Chromatic Button Accordion. A swifter instrument for a swifter time.

Also, the tune has a lyric, and here’s the group Wazoo doing a fantastic arrangement.

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