Here’s a humble but wonderful waltz, found in Mally’s Bal Folk tune book (actually, I found it in the Massif Central Tune Book, pink volume). Playing it on the Baffetti almost entirely on the F row. I am including it in the Bal Folk Tune Book Project, even though I recorded this before starting that project. This was done before I got (more) tech savvy, so the sound is a little thin.
Month: July 2013
Tribute: Le Cotillon Vert
I am obsessed with this tune, a scottish/valse called “Le Cotillon Vert.” Here I am in my kitchen taking a crack at it.
The scottish/valse is exactly what’s on the tin. You dance the A section as a scottish (medium tempo, 4/4 dance), then you switch to a waltz for the B section. Then back to a scottish. Then waltz. Et deliriums cetera. The trick — and it is tricky — is that the ones of the scottish have to be the same distance apart as the ones of the waltz. So, the 1-2-3-4 of the scottish has to fill the same amount of time as the 1-2-3 of the waltz. Got it?
“Le Cotillon Vert” is a bedeviling ear-worm of a tune. A bog norm standard that I found in Sylvain Piron’s tradfrance. Here’s the sheet music:
Accordéon History Book
Philippe Krümm, music columnist and editor of both Accordéon et Accordéonistes and Trad, has come out with a corker of a book. L’Accordéon: Quelle Histoire! (roughly Accordion: What a Story!) is a 120 page book packed with pictures and “iconography” from the 1930s to today. The book is featured at the AMTA website, and is available through Auvergne Diffusion.
This is the second accordéon history book to come out in a the past few months. See the other one here!
Download my new CD!
It’s finally ready! Download!
My new CD, L’Autre Diatoniste, is now ready for download over at bandcamp! Minimum cost is seven dollars, which was bandcamp’s recommendation. Here’s a track list:
|L’Autre Diatoniste at bandcamp|
1. La Souflette 3:29
2. FRLO Anthem 4:53
3. Polka Piquee & Polka de l’Aveyron 2:42
4. L’intermittent 2:29
5. Les Filles de Saint Nicholas 2:57
6. Catherine’s Psaltery 3:15
7. Two Mazurkas 2:34
8. Hanter Dro 3:16
9. Not That Guy’s Gavotte 2:00
10. Two Scottishes 2:55
11. Twentieth Century Rondeau 3:41
12. Ballad Of The Bachelor 4:40
I am very pleased with how this all turned out. The recording itself came out great and the process that made it was fantastic and joyful. I’m going to miss working on this project.
I am grateful. Producer Caleb Orion was generous in his time and expertise. And excellent critical friend. Steve Gruverman – of clarinet, sax, and bombarde – has been a part of my musical journey for years. A good number of tunes here, I learned from him. He is an amazing tune finder! Thanks to Will Leavitt. Thanks to Thierry Laplaud, Frèdèric Bordois, and Au Gre des Vents (Danyéle Besserer and Gilles Péquignot), for letting me use their amazing tunes. Thanks also to all the folks over at melodeon.net who have been an invaluable and general support over the past two years.
Letter to a Similarly-Aged Accordéonist
Shortly after publishing my piece on shifting to a three-row, I got the following e-mail from Troy Bennett, of Mystery Jig Studios.
|The seductive Beltuna A/D/G|
|Thinking about accordéons, Mr. Sartre?|
Alsatian Dance in 7
Here’s a tune I learned from storyteller Catherine Piron-Paira and her husband Sylvain Piron, both of Saverne, Alsace. Catherine played it on psaltery, thus I tend to call it “Catherine’s Psaltery.” I feature this tune on my new CD, but with added clarinets and recorders, and with vastly improved sound quality. I recorded this to include in the melodeon.net Theme of the Month for July 2013, French Tunes.
I’m not sure why my pants figure so heavily in this video. I apologize.