Chez la Mère Antoine

Two scottishes from the Bal Folk Tune Book (which you should buy), “Chez la Mère Antoine” (#20) and an unnamed tune (#15). They sound old, to me. Like bog norme, as one friend described it. “Tiny,” my organetto in A flat, has been out of commission for the humid months (sticking keys) and has recently returned to mid-season form. Even though it has two additional buttons, I still play it essentially as a one row. It really is a very fun little thing, and, as I say, it plays in A flat, which not many diatonic things do.

So, you wanna listen to Breton Music?

Over on, someone asked for recommendations on Breton music to listen to. In response, Yannick Laridon, of the band Planchée, posted the following amazing wealth of information. The post was too good to let die in the middle of a thread, so I asked if I could post it here. Truly an embarrassment of riches. Thank you! (I will also mention that I have a Breton playlist over on Spotify, if that’s how you roll.)

Brittany is a very active area regarding traditional music. Here are some personal picks, it’s not by any means a comprehensive list, and the comments are mine and phrased rapidly. I’ll add some bold font where there’s an accordion. Some good references were already mentioned, so here are some more, sorted by a somewhat chronological order.

The “early” recordings date from the Folk revival era, with names as well-known as Alan Stivell or Tri Yann for instance, which are centered on concert music rather than dance music. As often with prolific and long careers, all their production is not really relevant.

Frères Morvan - Wikipedia
The Morvan Bros.

But from the same period, you could not go wrong with the recordings of the Goadec Sisters or the Morvan Brothers, two well-known acappella dance ensembles from the center of Brittany. Two songs among many :

During the 80s, maybe one missing reference is the band Gwerz, although I find it’s a bit aged, its historical importance has to be noted, as it’s synthetizing many influences, such as Irish music. The 80’s are a really important decade for Breton music, despite a relatively moderate number of recordings, as it’s in that period that major figures emerged and defined their styles, that influenced all the musicians afterwards. Perhaps even more so than the artists in the 70s did.
Here is a live recording of Gwerz :

In the late 80s you can also find the same people you find in Gwerz, Barzaz or Kornog in the band Den, that you cannot listen without thinking about some Donal Luny experiments :– (Beware: traces of 80s synthetizer)

In many ways, Den somehow prefigures the later work of Jacky Molard (and the Molard brothers), that you can find later associated with the late guitarist Jacques Pellen, either in Celtic Procession ( ) , Tryptique ( ) or Bal Tribal ( ).

For a dance band regrouping many of the above, there’s Pennou Skoulm (breton for dickheads):

Fred “Gazman” Lambierge

In this album appears Fred “Gazman” Lambierge on the accordion (he recently passed away), a discrete but important player, that did background work to infuse jazz music into Breton accordion music. He notably influenced Janick Martin, but we’ll come to that later.
Beautiful rendition of a tradition song by Fred : *

As an aside, you can also hear Fred in the child music band Les Ours du Scorff, by which many of Breton children were cradled : nice music, funny lyrics, it’s really a bliss for all the family :

In the meantime, the major dance band from the 90’s is perhaps Ar Re Yaouank. They have something like 3 albums, that many Breton musicians are able to hum in full. They’re the first to really embed a truly rock attitude, and their influence still persists today.
My personal favorite is this one :

But you can’t go wrong with the others. One major accomplishment of theirs is to have played in a major festival, that had nothing to do with trad music, Les Francofolies de La Rochelle (which is really an exploit in a country where traditional music is that much segreggated than France) : *

Today, Fred and Jean-Charles Guichen still play together in fest-noz, with a plethoric production. My favorite album is Mémoire Vive, but I fear you can only have excerpts online:
You can find the solo album of Fred Guichen (the accordionist) here : * (it’s bit ‘aged’, but still interesting to listen to).

Other notable 90’s dance bands include Carré Manchot that had many forms, here is one among many:

A duet, Burn’s duo, with Ronan Robert and Christophe Caron :

Ronan is of course a prominent accordion player, but it’s even more so the influence of Christophe Caron on the bombarde (the Breton oboe) that is remarkable : is among the firsts to look for a sound closer to regular oboes, and to push the boundaries of what was deemed possible with the instrument. There’s a distinctive 90s sound to this album, but it’s still good music.
Some people mentioned Yann-Fañch Perroches, I think that perhaps his best album was with violonist and ex co-star of Skolvan Fañch Landreau :

Beginning in the 90s and still playing today, there’s also the band Spontus (one of my favorite Breton dance band)

Moving on to the 00s, there’s many band that went further still than their elders. Startijenn (still active today), which somehow digested the influence of Ar Re Yaouank and made it something different :

Karma, with what I still find today the most stunning Breton album :

Plantec and Hiks, two bands that, in different styles, make room for electronic music

For both these bands, there’s a great work on the bombarde.

And, last but not least, Hamon-Martin (either in duo, quartet or quintet), which is THE major band for the 00’s and 10’s I think. Their masterpiece is, IMO, L’Habit de plume :
But you can’t go wrong with any of their albums ( )
In duet, the album ‘Sous le tilleul’ is inescapable I found only one track here :

And some more recent bands :
Modkozmik :
Fleuves :
Barba Loutig :
Dour-Le Pottier Quartet :
Vincendeau-Pichard :
Le Bour – Bodros
There’s also my band :

And, at last, a few picks of more traditional formulas

Patrick Bardoul (accordion) :
L’Haridon – Nedelec (biniou-bombarde) :
Trimaud – Belliard (biniou-bombarde) :
Foll – Le Dissez (biniou-bombarde) :
Ebrel – Le Buhé (singers) :
Quéré – Le Menn (singers) :
Manglo (singers) :
Le Féon – Léhart (biniou-bombarde) :
Manu Bouthillier (violin) :

If you have any questions, feel free to ask!

Three Polkas Piquée

In recordings from the 1930s polkas piquée are a type of very short polkas played very fast — really leaning into the strengths of the vielle à roue — and they’re played in groups of many, usually each tune is repeated only twice. There are a bunch of polkas piquée in the Bal Folk Tune Book, and none of them have names; they are just “polka piquée.” So here are #174, 173, 176, and 173 (reprise).

Also, I am debuting my one row Hohner in G — inspired by activity over on The thing is a bear to play but I love the wet broad sound, and one rows have an inexplicable attraction for me.

Bourrée #63 (La Ricoise)

A humble tune from the Bal Folk Tune Book; it does not even have a name listed*. I’m wondering if anyone knows the name, and even if there is a lyric. This tune has everything I love about bourrées the streams of eighth notes, the odd melodic accents that make the 3/8 meter seem like a faux pas that is not actually faux. Dedicated to Brigid Chapin, as she begins her graduate program this week!

Thanks to -Y- over on I have discovered that this is a tune called “La Ricoise!” Check out these vids of others playing same:

Josefin’s Dopvals (by Roger Tallroth)

One of my very favorite waltzes, by Roger Tallroth of Väsen. I learned it from the version by Dervish, which is very winsome and almost sentimental — but goddammit it always gets me the third time through when drum kicks up! Very inspiring. This is specifically NOT a sentimental version. Trying something different. A straight-ish French waltz at French-waltz pace.